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Olympus OM-D E-M1 Mark II Black (Body Only)
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body
  • Olympus OM-D E-M1 Mark II Black (Body Only) | 20 Megapixels | Live MOS Sensor | Micro Four Thirds Mount | Built in WiFi | Weatherproof Body

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Item Code: DCOLM00009 Part Number: V207060BU000

Olympus OM-D E-M1 Mark II Black (Body Only)
20 Megapixels
Live MOS Sensor
Micro Four Thirds Mount
Built in WiFi
Weatherproof Body

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Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only)

Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.


THE WORLD’S FASTEST*

Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.


*Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.



NEXT LEVEL AF

Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.


COMPOSE AND CONTROL

Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are four AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.


OUTSTANDING IMAGE QUALITY

The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.


WORLD’S MOST EFFECTIVE IMAGE STABILIZATION*


The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed steps, the world’s most effective stabilization performance*. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod required.


*As of September 2016, with M.Zuiko Digital ED 12-100mm f4.0 IS PRO, 100mm focal length, Yaw / Pitch correction.


LAG-FREE PHOTOGRAPHY

Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 14 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.


Key Specs ________________________________________________________________________________________
Sensor Effective Resolution / Type 20.4 Megapixel Live MOS
Processor TruePic™ VIII Dual Quad Core Processor
Focusing System ________________________________________________________________________________________
Image Stabilization System 5-Axis In Body Image Stabilization
Viewfinder 2.36M dot LCD Electronic Viewfinder
Rear Monitor 3.0" Vari-Angle Touch LCD
Weatherproof Dust, Splash and Freezeproof
Sequential Shooting Speed 15fps [H] mode 10fps [L] mode mechanical shutter
60fps [H] mode 18fps [L] mode silent electronic shutter
Flash Bundled FL-LM3 (dust & splash-proof)
Special Features 4k Video Capture (30/25/24 fps)
PRO Capture Lag-Free Electronic Shutter Mode
In-camera Focus Stacking
Dual SD Card Slots
Sensor / Dust Reduction ________________________________________________________________________________________
Sensor Type 4/3" Live MOS Sensor
Effective Pixels 20.4 million
Total Pixels 21.8 million
Aspect Ratio & Area 4:3 / 17.4 x 13.0mm
Dust Reduction Super Sonic Wave Filter
AF System Type High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
Focus Modes Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
*1 Distance setting values are rough estimates and not compatible lens except the AF lens.
Full Time AF Not Available
AF Limiter Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
AF Performance C-AF lock (5 steps) , AF scanner (3 types)
Magnified Frame 3x , 5x , 7x , 10x , 14x
*Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
Face Detection AF / Eye Detection Available
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
Focusing Points / Focusing Points Selection Mode 121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
AF Illuminator Available
AF Targeting Pad Available (activate / deactivate with double tap on rear monitor)
Manual Focus Assist* Customize Function Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
Peaking Function Activate with Fn button or focus ring
Change peaking settings using the Info button
Color selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
Image Stabilization ________________________________________________________________________________________
System Type Built-in 5-axis* sensor-shift image stabilization for movie and still photos *yaw/pitch/roll/vertical shift/horizontal shift
Modes 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
5-Axis Sync IS Available*
*When using M.Zuiko Digital lenses equipped with image stabilization
Live View Image Stabilization Activation by half-pressing shutter button or enlarging view
Focal Length Setting 11 settings: 10 programmable settings (10 lenses), 1 open setting
IS For Live View Image Activation by half-pressing shutter button or enlarging view
Stabilization Performance 5.5 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
Lens IS Priority Available
Shutter / Sequential Shooting ________________________________________________________________________________________
Shutter Type Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter
Shutter Speed Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
Electronic Shutter (Silent Mode): 1/32000 - 60 sec
Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
Sequential Shooting Maximum Speed [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
[Sequential shooting L] approx. 10 fps with selectable 1-10 fps
[Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
[Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
[Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
[Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps
[Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps
*When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
*When in Pro Capture mode, slower shutter speeds and flash can not be used?
*When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When u
Max Recordable Pictures in Sequential Shooting [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
[Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
[Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
[Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
Self Timer Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10
Viewfinder/Monitor ________________________________________________________________________________________
Finder Type Eye-level electronic viewfinder, approx. 2.36M dots
Field of View / Viewfinder Magnification Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
Eye Point / Diopter Adjustment Range Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Preview Live View preview with depth of field preview lock
Display Grid Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
*grid color is selectable
Level Gauge 2-axis (horizontal / vertical) level gauge
One Touch Tele-Converter Available (2x)
Finder Style 3 styles
Brightness / Color Temp Control Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
S-OVF (Simulated OVF) Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Eyecup Optional eyecup EP-13 available
Rear Monitor Size 3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
Touch Control Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
Tilting Capability With (mirror display when monitor is in self portrait position)
Brightness / Color Temp Control (Rear Monitor) ±7 levels / ±7 levels
Color Tone Select Vivid / Natural
Live View Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14), Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
Field of View 100%
Display Mode Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
Magnification Display x3/x5/x7/x10/x14
Monitor Information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
Display of Face Detection Max 8 frames of face detection can be displayed.
Exposure Control / Flash ________________________________________________________________________________________
Metering System Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
Metering Range EV -2 - 20 (using 17mm f2.8, ISO 100)
Exposure Mode / Shooting Mode i Auto (Live Guide can be used) , P: program AE (program shift can be performed)
A: aperture priority AE
S: Shutter priority AE
M: Manual (Live Bulb, Live Time and Live Composite are available)
Custom 1,2,3
Art Filter
Underwater wide/Underwater macro (to be assigned to the Fn1 button)
Scene Select AE No
ISO Sensitivity AUTO ISO (default) : LOW (approx.64) - 6400 with customizable upper limit (200 - 6400)
Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
Exposure Compensation ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to
±3 EV steps Live View only reflects up to ±3 EV steps
AE Lock Available
Noise Filter at High ISO Setting Off, Low, Standard, High
Noise Reduction at Slow Shutter Speed Off, On, Auto On : effective when shutter speed is slower than 1 sec.
Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
Flash Intensity Control Mode TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available on the external flash
Bundled Flash FL-LM3(dustproof and splashproof flash)
GN=9.1(ISO100·m)/ GN=12.9(ISO200·m)
Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
*Powered by the camera
Flash Mode Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
Synchronization Speed 1/250 sec.
*When using Super FP: 1/125-1/8000 sec.
*When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
Flash Intensity Control Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
Compatible External Flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
Wireless Flash Control Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
Wireless Flash Control Method Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
Wireless Flash Intensity Control Mode TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel No. 4 channels
Group No. 4 groups (External flash 3 groups + commander flash)
Memory / Image Recording (File Format) ________________________________________________________________________________________
Compatible Memory SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
*1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
*2 Not compatible with Endless Memory.
Recording Format DCF2.0, Exif2.3
File Format RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording Image Size [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
Dual Card Slot Settings Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
Folder Creation and Selection Available
Copy Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.
White Balance / Color Mode ________________________________________________________________________________________
White Balance Mode Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
White Balance Compensation* ±7 steps along A-B / G-M axis
* Except for Custom WB
Preset White Balance 7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
CWB (Kelvin Setting) 2000 - 14000K
Capture White Balance 4 custom settings can be registered
Color Mode sRGB, Adobe RGB
Bracketing / HDR ________________________________________________________________________________________
Exposure Bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
ISO Bracketing 3 frames in 0.3/0.7/1.0EV steps selectable
White Balance Bracketing 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
Flash Bracketing 3 frames in 0.3/0.7/1.0EV step selectable
Art Filter Bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
Focus Bracketing 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
Focus Stacking Mode 8 shots are taken at different focus points and automatically composited together into a single image
* Angle of view becomes slightly smaller
* Compatible with:
M.Zuiko Digital ED 60mm f/2.8 Macro
M.Zuiko Digital ED 12-40mm f/2.8 PRO
M.Zuiko Digital ED 40-150mm f/2.8 PRO
M.Zuiko Digital ED 30mm f/3.5 Macro
M.Zuiko Digital ED 7-14mm f/2.8 PRO
M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
M.Zuiko Digital ED 300mm f/4.0 IS PRO
HDR (Auto Composite) HDR1, HDR2 (painting-like)
?ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
?Exposure compensation can be performed.
Bracketing for HDR post-process 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
*This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.
Creative Features ________________________________________________________________________________________
Picture Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
Gradation Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
Filter Effect (B&W Filter) Neutral, Yellow, Orange, Red, Green for Monotone
Picture Tone Neutral, Sepia, Blue, Purple, Green for Monotone
Art Filter (Variation / Art Effect) Pop Art (I, II / a.b.c.d.e)
Soft Focus ( - / c.e)
Pale & Light Color (I, II / a.b.c.d)
Light Tone ( - / d)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( - / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Art Effect a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Picture Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
Color Ring (for partial color) 18 color selectable
Live Bulb / Live Time Update Interval Time - 0.5 sec – 60 sec
Live Composite Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
Interval Shooting "Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
Multiple Exposure (number of pictures / function) 2 frames / Auto gain, Exposing on Recorded picture(RAW)
Keystone Compensation Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.
Video / Audio Recording ________________________________________________________________________________________
Video Recording Format MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
Movie Mode / Frame Rate / Compression Method 4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps
24p: 23.98 fps, C4K 24.00 fps
FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps)
FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps
N: Normal / approx. 18 Mbps)
HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps)
HD IPB(SF: SuperFine / approx. 26Mbps, F:Fine / approx. 14Mbps
N:Normal / approx. 10Mbps)
HD (1280 x 720) / 30p
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Class 10 or higher SD card is recommended for shooting movies.
*UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
Maximum Video Recording Time [MOV] Approx.. 29min [AVI] Approx. 7min*
*Excluding when particular Art Filters are used
Movie Tele-converter Approx. 3x (enlarges view of selected area)
Art Filter Movie Available (Frame rates may drop when certain Art Filters are used)
Movie Effect One-shot Echo / Multi-echo / Art Fade / Old Film
Timelapse Movie [AVI ]
3840×2160(4K)/ 5fps
1920×1080(FHD)/ 5fps,10fps,15fps
1280×720(HD)/ 5fps?10fps?15fps?30fps
IS for Movie M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS)
M-IS2(Image sensor shift with multi motion IS), Off
*While using M-IS1, field of view may be affected.
Video Exposure Control Program AE, aperture priority AE, shutter priority AE, manual
Grid Lines / Focus Peaking 4 types of grid lines / 4 colors for focus peaking
Time Code Rec run/free run, drop frame/non-drop frame
Clips 1, 2, 4, 8 sec.
(Further continued shooting possible up to 16 seconds by pressing movie record button again)
Quick Movie / Slow Movie With (this function is not available for videos with certain frame rates)
Audio Recording Format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone / Speaker Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
Microphone Function Wind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
*May affect audio quality.
IC Recorder Linkage Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible
Operability ________________________________________________________________________________________
WiFi Easy Connection
QR code setting
Wireless Shooting
Live View
Power off
Rec View
Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
Touch AF & Shutter
P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
Sequential shooting
Movie Recording
Zoom
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
*When in private connection
Tethered Shooting Via USB cable (camera can be operated by both PC or camera controls)
Playback Mode Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
Information Display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Custom Settings / Reset Modes C1, C2, and C3 can be accessed by mode dial
Modes C1, C2, and C3 can be accessed via the menu
Dial function and dial direction are customizable for both dials
Button Customization Buttons can be customized (select from 35 functions)
*Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
*Some buttons may have restrictions to what functions can be assigned
Copyright Settings / Lens Info Settings Available / With (save up to 10 lenses)
RAW Image Editing Functions Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
Image Overlay Up to 3 RAW images
Menu Languages (34 selectable) English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Connectivity / Power Requirements ________________________________________________________________________________________
USB Connector USB Type-C
Remote Connector f2.5Pin Jack (when using separately available RM-CB2).
HDMI Connector Micro HDMI (type D)
Flash Attachment Hot shoe, sync terminal
Wireless LAN Built-in(IEEE 802.11b/g/n)
MIC Input Jack f3.5 stereo mini jack (plug-in power on/off)
Headphone Jack f3.5 stereo mini jack
PC Interface SuperSpeed(USB3.0)
TV Interface Not Available
Battery BLH-1 Li-ion battery (included)
Battery Status Display Remaining power (4 steps, %, or by-minute display), shot count, degradation
Power Battery Holder HLD-9 power battery holder is separately available (holds one BLH-1 battery).
AC Adapter AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
Sleep Mode Available (1/3/5 min. off)
Number of Recordable Pictures Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards)
Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
Battery Life for Movie Shooting Approx. 90 minutes* (under standard JEITA testing)
Approx. 150 minutes* (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Weights & Dimensions / Operating Environment / Box Contents ________________________________________________________________________________________
Weight Approx. 574g (with BLH-1 battery and Memory card, based on CIPA standards)
Approx. 498g (body only)
Dimensions W:134.1mm H:90.9mm D:68.9mm
(based on CIPA standards: excludes protrusions)
Environmentally Sealed Dust, Splash, Freezeproof
Operating Temperature Range -10? ~ +40? (when in operation) / -20 ~ +60? (when stored)
Operating Humidity Range 30 - 90% (when in operation) / 10 - 90% (when stored)
Box Contents Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery , BCH-1 Li-ion battery charger
Return & Exchange 14 Days
Manufacturer Warranty 1 Year Manufacturer
Manufacturing Defect Exchange 30 Days
Courtesy Warranty Repair Shipment Service 90 Days Courtesy MFG Warranty Repair Services
Charged Warranty Repair Shipment Service 1 Year Charge MFG Warranty Repair Services